Bibliographie Berlin, Allemagne
Bibliography Berlin, Germany

chercheuse/researcher 2017: Verena Kittel

lieux de recherche/research venues: Bibliothek des Instituts für Theaterwissenschaft der Freien Universität Berlin, Philologische Bibliothek der Freien Universität Berlin, Kunstbibliothek – Staatliche Museen zu Berlin, Universitätsbibliothek der Universität der Künste / Mediathek HzT Berlin, Weißensee Kunsthochschule Berlin

1    ALARCÓN, Mónica. Die Ordnung des Leibes. Eine tanzphilosophische Betrachtung. Dissertation. Universität Freiburg im Breisgau, in: BUSSMANN Claus, UEHLEIN Friedrich A. (eds). Pommersfeldener Beiträge, Bd. 12. Würzburg: Königshausen & Neumann GmbH, 2009.

2    ARONSON-LEHAVI Sharon, CITRON Atay, ZERBIB David (eds.). Performance Studies in Motion. International Perspectives and Practices in the Twenty-First Century. London, New York: Bloomsbury, 2014

























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3    BÄCKER Marianne, SCHÜTTE Mechthild (eds.). Tanz, Raum, Urbanität. Jahrbuch Tanzforschung, Bd. 25. Leipzig: Henschel Verlag, 2015.

4    BARBOUR, Karen Nicole. Dancing Across the Page. Narrative and Embodied Ways of Knowing. Bristol; Chicago, Ill.: Intellect, 2011.

5    BELL, Elizabeth. Theories of Performance. Los Angeles, Calif. u.a.: SAGE, 2008.

6    BENFORD Steve, GIANNACHI Gabriella (eds.). Performing Mixed Reality, Cambridge, Mass. u.a.: MIT Press, 2011.

7    BIAL, HENRY (ed.). The Performance Studies Reader. London u.a.: Routledge, 2016. (rev. re-ed.)

8    BIRCH Anna, TOMPKINS Joanne (eds.). Performing Site-Specific Theatre. Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012.

9    BIRKENSTOCK Eva, FRANZBECKER Jörg (eds.). On Performance. Bregenz: Kunsthaus Bregenz, 2012.

10    BISCHOF Margrit, ROSINY Claudia (eds.). Konzepte der Tanzkultur: Wissen und Wege der Tanzforschung. Bielefeld: Transcript-Verl., 2010.

11    BLEEKER Maaike, FOLEY SHERMAN Jon, NEDELKOPOULOU Eirini (eds.). Performance and Phenomenology. Traditions and Transformations. New York: Routledge, 2015.

12    BLOHM Manfred, MARK Elke (eds.). Formen der Wissensgenerierung: Practices in Performance Art. Oberhausen: ATHENA, 2015.

13    BRANDSTETTER Gabriele, EGERT Gerko, ZUBARIK Sabine (eds.). Touching and Being Touched. Kinesthesia and Empathy in Dance and Movement. Berlin; Boston, Mass. : de Gruyter, 2013.

14    BRANDSTETTER Gabriele, KLEIN Gabriele (eds.). Dance [and] Theory. Bielefeld: Transcript-Verlag, 2013.

15    BURKE, Elinore. Pain, Performance and Body Projects in Everyday Life. Master thesis Kunsthochschule Weißensee, 2009.

16    BUTTE, Maren (Ed.). Assign & Arrange. Methodologies of Presentation in Art and Dance; ("Assign and Arrange. Methodologies of Presentation in Art and Dance" at ICI Berlin Institute for Cultural Inquiry, December 7–8, 2012], Berlin: Sternberg Press, 2014.

17    CADUFF Marc, HEINE Stefanie, STEINER Michael (eds.). Die Kunst der Rezeption. Bielefeld: Aisthesis-Verl., 2015.

18    CALLISON Darcey, HANSEN, Pil (eds). Dance Dramaturgy. Modes of Agency, Awareness and Engagement. London; New York, NY: Palgrave Macmillan, 2015.

19    CARR, Cynthia (ed.). On Edge. Performance at the End of the Twentieth Century. Middletown, Conn.: Wesleyan Univ. Press, 2008. (rev. re-ed.)

20    CARTER Alexandra, O’SHEA Janet (eds.). The Routledge Dance Studies Reader. London u.a : Routledge, 2010. (revis. re-ed.)

21    CLAVADETSCHER Reto, ROSINY Claudia (eds.). Zeitgenössischer Tanz : Körper - Konzepte - Kulturen; eine Bestandsaufnahme. Bielefeld: transcript Verl., 2017.

22    CONROY, Colette. Theatre & the Body. Basingstoke: Palgrave Macmillan, 2010.

23    CULL, Laura (Ed.). Deleuze and Performance. Edinburgh: Edinburgh Univ. Press, 2009.

24    CVEJIC, Bojana, VUJANOVIC, Ana. Public sphere by performance. Berlin ; Aubervilliers : b_books ; Les Laboratoires d'Aubervilliers, 2015.

25    CVEJIC, Bojana. Choreographing Problems. Expressive Concepts in European Contemporary Dance and Performance. Basingstoke, Hampshire: Palgrave Macmillan, 2015.

26    CZIRAK, Adam. Partizipation der Blicke. Szenerien des Sehens und Gesehenwerdens in Theater und Performance. Dissertation, Freie Universität Berlin, 2010.

27    DECK Jan, SIEBURG Angelika (eds.). Paradoxien des Zuschauens. Die Rolle des Publikums im zeitgenössischen Theater. Bielefeld: transcript Verl., 2008

28    ELIA-BORER Nadja, SCHELLOW Constanze, SCHIMMEL Nina et. al. (eds.). Heterotopien. Perspektiven der intermedialen Ästhetik. Bielefeld: transcript Verl., 2013.

29    FARI Natalie. Embodied Places. Performance Practices in Public Space. 2015.

30    FISCHER Miriam, ALARCÓN Mónica (eds.). Philosophie des Tanzes. Denkfestival - eine interdisziplinäre Reflexion des Tanzes. Freiburg: Fördergemeinschaft wiss. Publ. von Frauen, 2006.

31    FISCHER-LICHTE Erika, HASSELMANN Kristiane (eds.). Performing the Future. Die Zukunft der Performativitätsforschung. München: Wilhelm Fink Verlag, 2013.

32    FISCHER-LICHTE Erika, WIHSTUTZ Benjamin (eds.). Performance and the Politics of Space. Theatre and Topology. New York u.a.: Routledge , 2013.

33    FISCHER-LICHTE, Erika. Performativität. Eine Einführung. Bielefeld: transcript Verl., 2012.  // 3. Unveränderte Auflage

34    FOELLMER Susanne. Am Rand der Körper. Inventuren des Unabgeschlossenen im zeitgenössischen Tanz. Bielefeld: transcript Verl., 2009.

35    FOULTIER Anna Petronella, ROOS Cecilia (eds.). Material of Movement and Thought: Reflections on the Dancer's Practice and Corporeality. Stockholm: Firework Edition, 2013.

36    FREEMAN, John. New Performance, New Writing. Basingstoke u.a.: Palgrave Macmillan, 2007.

37    GADE Rune, JERSLEV Anne (eds.). Performative Realism. Interdisciplinary Studies in Art and Media. Copenhagen: Museum Tusculanum Press, 2005.

38    GAREIS Sigrid, KRUSCHKOVA Krassimira (eds.). Ungerufen. Tanz und Performance der Zukunft / Uncalled. Dance and Performance of the Future. Berlin: Theater der Zeit, 2009. 

39    GELDMACHER, Pamela. Re-Writing Avantgarde. Fortschritt, Utopie, Kollektiv und Partizipation in der Performance-Kunst. Dissertation, Heinrich-Heine-Universität Düsseldorf, supervised by Prof. Dr. Timo Skrandies and Prof. Dr. Vittoria Borsò. Bielefeld: transcript Verl., 2015.

40    GIANNACHI Gabriella, KAYE Nick, SHANKS Michael (eds). Archaeologies of Presence. Art, Performance and the Persistence of Being. London u.a.: Routledge, 2012.

41    GOLDBERG, RoseLee. Die Kunst der Performance. Vom Futurismus bis heute. German translation by Ute Astrid Rall. Berlin; München: Deutscher Kunstverlag, 2014. (rev. re-ed.)

42    GOLDMAN, Danielle. I Want to Be Ready. Improvised Dance as a Practice of Freedom. Ann Arbor, Mich.: Univ. of Michigan Press, 2010.

43    GRONAU, Barbara,  VON HARTZ, Matthias, HOCHLEICHTER, Carolin (eds.). How to frame : on the Threshold of performing and visual arts. Berlin : Sternberg Press, 2016.

44    GRONAU, Barbara. Theaterinstallationen: performative Räume bei Beuys, Boltanski und Kabakov. Dissertation, Freie Universität Berlin, 2010.

45    GRUBER, Charlotte. InterActions. Performing Actual and Virtual Spaces as Stages of Inter-est. Master thesis, Universität Amsterdam, 2012.

46    GUY Georgina. Theatre, Exhibition and Curation. Displayed & Performed. New York: Routledge, 2016.

47    HARDT Yvonne, STERN Martin (eds.). Choreographie und Institution. Zeitgenössischer Tanz zwischen Ästhetik, Produktion und Vermittlung. Bielefeld: transcript Verl., 2011.

48    HARTMANN Annette, WOITAS Monika (eds.). Das große Tanz Lexikon. Tanzkulturen. Epochen. Personen. Werke. Laaber: Laaber Verlag, 2016.

49    HEDDON Deirdre, KLEIN Jennie (eds.). Histories and Practices of Live Art. Basingstoke [u.a.]: Palgrave Macmillan, 2012.

50    HOCHMUTH Martina, KRUSCHKOWA Krassimira, SCHÖLLHAMMER Georg (eds.). It Takes Place When It Doesn't. On Dance and Performance since 1989. Frankfurt am Main: Revolver - Archiv für aktuelle Kunst, 2006.

51    HOFFMANN Jens, JOAN Jonas (eds.). Perform. London: Thames & Hudson, 2005.

52    HUNTER, Victoria (ed.). Moving Sites. Investigating Site-Specific Dance Performance. London; New York, NY: Routledge, 2015.

53    JACKSON, Shannon. Social works : performing arts, supporting publics. New York : Routledge, 2011.

54    JONES Amelia, HEATHFIELD Adrian (eds.). Perform, Repeat, Record. Live Art in History. Bristol UK/Chicago USA: Intellect, 2012. 

55    JOY, Jenn. The Choreographic. Cambridge, Mass.; London: MIT Press, 2014.

56    JÜRS-MUNBY, Karen, CARROLL, Jerome, GILES, Steven (eds.) Postdramatic theatre and the Political. International Perspectives on Contemporary Performance. London: Bloomsbury, 2013.

57    KENNEDY, Dennis. The Oxford Companion to Theatre and Performance. Oxford u.a.: Oxford University Press, 2010.

58    KLEIN Gabriele, STING Wolfgang (eds.). Performance: Positionen zur zeitgenössischen szenischen Kunst. Bielefeld: Transcript-Verlag, 2005.

59    KLOETZEL Melanie, PAVLIK Carolyn (eds.). Site Dance. Choreographers and the Lure of Alternative Spaces. Gainesville, Fla. u.a. : Univ. Press of Florida, 2009.

60    KRASNER David, SALTZ David Z. (eds.). Staging philosophy. Intersections of Theater, Performance, and Philosophy. Ann Arbor, Mich.: Univ. of Michigan Press, 2006.

61    KUHLKE Olaf, PINE Adam F. (eds.). Global Movements. Dance, Place, and Hybridity. Lanham, Md. u.a. : Lexington Books, 2015.

62    LAERMANS, Rudi. Moving Together. Theorizing and Making Contemporary Dance. Amsterdam: Valiz, 2015.

63    LAMOTHE, Kimerer L. Why We Dance. A Philosophy of Bodily Becoming. New York: Columbia University Press, 2015.

64    LEAHY Helen Rees. Museum Bodies. The Politics and Practices of Visiting and Viewing. Farnham/Burlington: Taylor & Francis Ldt, 2012.

65    LEPECKI, André (ed.). Dance. London: Whitechapel Gallery; Cambridge, Mass.: MIT Press, 2012.

66    LEPECKI, André, BANES, Sally (eds.). The Senses in Performance. New York; London : Routledge, 2007.

67    LEPECKI, André, JOY, Jenn. Planes of composition : dance, theory and the global. London ; New York ; Calcutta : Seagull Books, 2009.

68    LIPP Nele. Tanz + Bildende Kunst : Aspekte der Wechselbeziehung. Part one of the dissertation, under the supervision of Prof. Dr. Michael Diers, Prof. Dr. Gabriele Brandstetter, Prof. Raimund Bauer, Hochschule für Bildende Künste, Hamburg. Oberhausen: ATHENA-Verlag, 2015.

69    MACHON, Josephine. Immersive Theatres. Intimacy and Immediacy in Contemporary Performance. Basingstoke u.a.: Palgrave Macmillan, 2013.

70    MCAULEY, Gay (ed.). Unstable Ground. Performance and the Politics of Place. Bruxelles u.a.: PIE Lang, 2006.

71    NEIN, Lilo (ed.). Die anwesende Autorin - wer spricht in der Performance?. Berlin: Revolver Publishing, 2011.

72    NOISETTE, Philippe, Talk about contemporary dance. Paris : Flammarion, 2011.

73    ODDEY Alison, WHITE Christine (eds.). The Potentials of Spaces. The Theory and Practice of Scenography & Performance. Bristol: Intellect Books, 2006.

74    PEARSON, Mike. Site-Specific Performance. Basingstoke (NY): Palgrave Macmillan, 2010.

75    PEETERS, Jeroen (ed.). Through the Back. Situating Vision Between Moving Bodies. Helsinki: Theatre Academy of the Univ. of the Arts Helsinki, 2014.

76    PITCHES Jonathan, POPAT Sita (eds.). Performance perspectives. A Critical Introduction. New York: Palgrave Macmillan, 2011.

77    PROFETA, Katherine. Dramaturgy in Motion. At Work on Dance and Movement Performance. Madison: the University of Wisconsin Press, 2015.

78    RADOSAVLJEVIC, Duška. Theatre-Making. Interplay Between Text and Performance in the 21st century [1st ed.]. Basingstoke u.a : Palgrave Macmillan, 2013. 

79    RANCIÈRE, Jacques. Der emanzipierte Zuschauer. German translation by Richard Steurer. Wien: Passagen-Verlag, 2009.

80    READ, Alan. Theatre in the Expanded Field. Seven Approaches to Performance. London u.a.: Bloomsbury, 2014.

81    REINELT, Janelle G., ROACH Joseph R. (eds.). Critical Theory and Performance. Ann Arbor, Mich.: Univ. of Michigan Press, 2007. (revis. re-ed.)

82    ROCHE, Jennifer. Multiplicity, Embodiment and the Contemporary Dancer. Moving Identities. Basingstoke u.a.: Palgrave Macmillan, 2015.

83    RUGG, Judith, SEDGWICK, Michèle (eds.). Issues in Curating Art and Performance. Bristol: Intellect, 2007.

84    RUHSAM, Martina. Kollaborative Praxis Choreographie. Die Inszenierung der Zusammenarbeit und ihre Aufführung. Wien; Berlin: Turia + Kant , 2011.

85    SABISCH, Petra. Choreographing Relations. Practical Philosophy and Contemporary Choreography.  München: Epodium, 2011.

86    SACK, Daniel. After live. Possibility, Potentiality, and the Future of Performance. Ann Arbor: Univ. of Michigan Press, 2015.

87    SCHECHNER, Richard. Performance Studies. An Introduction [2nd ed.]. New York u.a.: Routledge, 2006.

88    SIEGMUND, Gerald. Abwesenheit. Eine performative Ästhetik des Tanzes; William Forsythe, Jérôme Bel, Xavier Le Roy, Meg Stuart. Bielefeld: transcript Verl., 2006.

89    ŞIRAY, Mehmet. Performance and Performativity. Doctoral Thesis, University Mainz, 2009.

90    SOLOMON, Noémie. Danse. An Anthology. Dijon: Presses du reel, 2014.

91    TAYLOR, Diana. Performance. Translated from spanish by Abigail Levine. Durham : Duke University Press, 2016.

92    THUN-HOHENSTEIN, Felicitas. Performanz und ihre räumlichen Bedingungen. Perspektiven einer Kunstgeschichte. Wien [u.a.]: Böhlau, 2012.

93    THURNER Christina, WEHREN Julia (eds.). Original und Revival. Geschichts-Schreibung im Tanz. Zürich: Chronos-Verlag, 2010.

94    TIGGES Stefan, PEWNY Katharina, DEUTSCH-SCHREINER Evelyn (eds.). Zwischenspiele. Neue Texte, Wahrnehmungs- und Fiktionsräume in Theater, Tanz und Performance. Bielefeld: transcript Verl., 2010.

95    TOMLIN, Liz. Acts and Apparitions. Discourses on the Real in Performance Practice and Theory, 1990–2010. Manchester u.a.: Manchester Univ. Press, 2013.

96    WERNER, Katja (Red.). Dance in Art. Berlin: Friedrich, 2008.

97    YANG Kika. The Aesthetics of Presence. Master thesis, Kunsthochschule Weissensee. 2014.