Avis d'audition


























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Statement:

Avis d’audition is a programmed audition presented as a performance.
The description in the theater program repeats the audition call posted in places frequented by dancers.
In the theater, as an introduction, the administrative and financial conditions proposed by the company les gens d’Uterpan are announced to the candidates and the public.
The spectators attend the entire audition process (several hours), given that all deliberation occurs during this time.
The dancers who are eliminated must either leave the space or join the spectators in the stands.
The fee paid by the theater for the piece is divided up as a minimum wage for all dancers who pass the first selection stage. The dancers selected join the company les gens d’Uterpan.





October 18th 2011, Théâtre de la Balsamine, Brussels, Belgium
Photos: Hichem Daes
Courtesy: Théâtre de la Balsamine


Activations:

February 21st - Theater Karolos Koun (Theatro Technis), Athens, Greece
documenta 14
Twenty-five participating dancers were called following the posting of their curriculum vitae.
Specific partners: platform MĒTA, Institut Français d'Athènes

November 14th 2016 - DNA hall au National Palace of Culture - Congress Centre Sofia (NDK), Sofia, Bulgaria
ACT Festival for Independent Theatre
Twenty-seven participating dancers were called following the posting of their curriculum vitae.
Specific partners: Institut Français de Bulgarie, Municipality of Sofia, Ministry of Culture of Bulgaria

September 25th 2012, Teatr Studio, Warsaw, Poland
Cialo/Umysl Festival
Thirty participating dancers were called following the posting of their curriculum vitae.
Specific partner: Institut Français de Varsovie

October 18th 2011, Théâtre de la Balsamine, Brussels, Belgium
Thirty-six participating dancers were called following the posting of their curriculum vitae.
Specific partner: Institut Français

December 6th 2008, Théâtre de Vanves, France
Artdanthe Festival 2009
Forty participating dancers were called following the posting of their curriculum vitae.


With the intervention of Sophie Demeyer, Deborah Lary, Cécile Laloy, Stève Paulet, Denis Robert, KostasTsioukas and David Zagari